Home » A 1968 Ford Galaxie Once Recorded A Number One Single In The UK

A 1968 Ford Galaxie Once Recorded A Number One Single In The UK

Ford Timelord Top

Generally, automobiles don’t record many songs. There’stwo main reasons for this: there’s a lot of stigmas around non-humans in the recording industry, and cars lack the vocal cords, pulmonary, and nervous systems of human beings that are usually required for composing and singing a song. While cars do tend to have horns, their use in songwriting or performing is mostly limited to novelty accompaniment. Still, that didn’t prevent a 1968 Ford Galaxie from allegedly recording a song that made it to number one on the British charts in 1988. That song was The Timelord’s Doctorin’ The Tardis, and remains the only hit single ever to have been recorded by a Ford, or, really, any car.

If there was any question about whether or not this single was actually the product of a car, I think the sleeve for the single should have eliminated all doubt, as right there on the cover, in large, easy-to-read type, is a quote from the car itself, pictured right there on the cover:

Vidframe Min Top
Vidframe Min Bottom

“Hi! I’m Ford Timelord. I’m a car, and I’ve made a record.”

Timelord Cover
Image: the KLF

I mean, it doesn’t really get any clearer than that: that’s a car, and it made a record. Pretty straightforward, right? I bet you’re wondering exactly what this single was like, aren’t you? Well, I can tell you that, even though this car is a Ford Galaxie, built in Detroit, the single is about as British as possible, seeing as how it’s about the long-running and often confusing BBC sci-fi show, Doctor Who. The “Tardis” in the title is kind of a giveaway, as that was the larger-on-the-inside police box the Doctor traveled around in.

Here’s the song, and video:

As you can see, Ford Timelord, the ex-police Ford Galaxie, stars in the video, which is full of half-assed home-built Daleks and a lot of samples from the Doctor Who theme song, which itself was a groundbreaking piece of music, being the first piece of electronic music used as a theme song for television.

That song made it to the number one slot on the charts for one week in June of 1988, despite music critics describing the song as “pure, unadulterated agony … excruciating” and “rancid reworking of ancient discs.” Other critics weren’t so kind.

Still, the masses seemed to like it, and Ford Timelord was more than happy to be interviewed about the song’s surprising success:

That’s a very satisfied-sounding car-musician right there.

So, what’s the story behind all this? I will admit that I am a little skeptical that this somewhat battered ex-cop car had the connections and wherewithal to record a hit single. So what actually did happen?

The ’68 Galaxie was owned by Jimmy Cauty, who, along with Bill Drummond were the talent behind not just The Timelords, but also a band known as the JAMs and, as they were eventually better known in America, the KLF. The Galaxie also appears in the video for the KLF song 3am Eternal:

The car seems to have come to the UK around 1986, brought over by Pinewood Studios during the filming of Superman 4, where it was used in the background in a deleted fight scene between Superman and Nuclear Man. If this is accurate, the car seems to have been just a black sedan, not a cop car, and was given the police livery treatment when it was converted into a Blues Brothers-tribute cop car by the keyboardist for a band called T.C. Lethbridge.

Cauty bought the cop-livery’d car from that fellow musician, and it became the official car of the JAMs, where they used it for stunts like driving it to Sweden to attempt to get the members of ABBA to drop legal action against them for using an unauthorized sample from Dancing Queen.

Timelord Sweden
Image: the KLF

When the duo recorded Doctorin’ the Tardis, they seemed to be very aware that they were doing something maybe a little less than ideal, as the label of the record itself unashamedly notes, under “other data,” that it is “probably the most nauseating record in the world.”

That could be why they attributed the song to the hapless Galaxie, which had to bear the burden of authorship and take interviews, voiced by their publicist hiding under a blanket in the back seat.

The fate of the Ford isn’t really clear; it may have been used in banger and demolition derby racing, but it also could still survive, because looking up its number plate shows that t is still registered and paid up until this coming Valentine’s Day.

Personally, I hope Ford Timelord did survive; there’s only one car in history that has a number one single under its beltline, and I think that’s something worth celebrating.

 

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Hangover Grenade
Hangover Grenade
5 months ago

where they used it for stunts like driving it to Sweden to attempt to get the members of ABBA to drop legal action against them for using an unauthorized sample from Dancing Queen.

Makes me think of the band Negativland. They used a sample of U2’s “Still Haven’t Found What I’m Looking For” which resulted in a protracted legal battle with U2’s record label. It’s an interesting story and resulted in some extremely interesting discussions about fair-use in music.

But the song itself? It’s rubbish.

Sometimes the story behind the music is better than the music itself.

Ford_Timelord
Ford_Timelord
5 months ago

There is a post punk venn diagram where samplers, subversion and law suits collide and KLF and Negativeland reside.
To be fair later KLF tracks were bangers and ‘chill out’ still stands up as starting a new genre – Jimmy Caulty was part of The Orb and Bill Drummond is an accomplished author.

Theotherotter
Member
Theotherotter
5 months ago

My review: Terminate! Terminate! Terminate!

Rapgomi
Member
Rapgomi
5 months ago

I love the KLF!! And about every six months or so they rise to the top of my play list.

It’s Grim Up North.

RAMbunctious
RAMbunctious
5 months ago

I don’t hate this. Yeah, it’s terrible, but it also made me laugh, and I enjoyed the moving shots of the Ford. I sent this to my brother, who’s also a Who fan.

I had completely forgot about the KLF! I used to like that song and video, I used to watch MTV as a kid, and I distinctly remember the blue hooded singers. I had no idea they were Bri’ish. Same deal, the moving shots of the car are great. That song is kind of a banger; I’m probably going to do a Spotify search later.

Cyko9
Member
Cyko9
5 months ago

“The most nauseating record in the world” notwithstanding, I think I’ve found my new favourite musical artist vehicle. Actually haven’t thought about the KLF in a while.

Cars? I've owned a few
Member
Cars? I've owned a few
5 months ago

I immediately thought Rock and Roll Part 2, but I also got a Harley David (Son of A Bitch) by the Bollock Brothers vibe from it too.

Aaronaut
Member
Aaronaut
5 months ago

WTH, This is like a fever dream! If the commenters weren’t validating this bizarre song/chain of events, I’d think we were being Data Salami’d again.

John Adams
John Adams
5 months ago

I am more of an Inspector Spacetime guy myself…

LTDScott
Member
LTDScott
5 months ago

This song was a mysterious faded memory for me for several years.

I grew up in Australia and my aunt and uncle owned a motel outside Melbourne. I still distinctly remember sitting in the lobby of the motel watching TV when I was about 8 years old (1988) when this video came on and as a car geek even back then I was fascinated.

For many years afterwards I wasn’t sure if I had imagined the video, and any time the original Gary Glitter song would be played, I sung it as “Doctor Whoooo” in my head. It wasn’t until about 15 years later in the internet age that I somehow ran into this song again and confirmed that it was indeed real.

Ford_Timelord
Ford_Timelord
5 months ago
Reply to  LTDScott

I don’t think Molly Meldrum would have given this track an airing on Countdown.

Max Headbolts
Member
Max Headbolts
5 months ago

I proudly own this on Vinyl. Need to compliment it with the rest of the KLF catalog someday.

Elhigh
Elhigh
5 months ago

Isn’t that that Gary Glitter song? That sounds like the hook from Rock and Roll Part 2.

And I used to think that the KLF were more of an art act than anything else, and music is involved. I don’t know if that’s still the case, but 3AM Eternal is on my Permanent 100.

UnseenCat
UnseenCat
5 months ago

Gotta love The KLF and their particular flavor of madness!

The Galaxie got some prime screen time in a video they did in ’88 for their proto-trance cut “What Time Is Love?” https://www.youtube.com/watch?v=1wzdTTSA7nQ and then again in the video for “3AM Eternal” https://www.youtube.com/watch?v=kBPEnVXxQfI

And an approximate model of it (a model of an earlier model year Galaxie painted to approximate the real car) shows up in the video for “Last Train To Trancentral (Live From The Lost Continent)” https://www.youtube.com/watch?v=pC_zffOenk8

Enjoy the chaos… 😉

Last edited 5 months ago by UnseenCat
Data
Data
5 months ago
Reply to  UnseenCat

As the kids say, Last Train to Trancentral still slaps.

Ford_Timelord
Ford_Timelord
5 months ago
Reply to  UnseenCat

The America – what time is love? version with Glen Hughes from Deep Purple has its own sort of flavour.

TheNewt
Member
TheNewt
5 months ago

The KLF were played pretty regularly at the dance clubs in the early 90s. That was my first exposure to The Timelords… Brings back some memories.

Rob Cook
Rob Cook
5 months ago

A much better song by Clutch referencing a Ford Galaxie: https://youtu.be/E9DaAONU024?si=wBcdMyyCulCfRTwU

Flyingstitch
Flyingstitch
5 months ago

banger and demolition derby

Bangers and smash, as it were.

Ford_Timelord
Ford_Timelord
5 months ago

I feel exposed.

Ford_Timelord
Ford_Timelord
5 months ago
Reply to  Ford_Timelord

The trailer for the KLF Doco is here – can recommend – before there was Banksy these were our subversive pranksters. https://www.youtube.com/watch?v=nZw5dMLCPo0

Key accomplishments of The KLF (and their various aliases, including The Justified Ancients of Mu Mu and The Timelords) include:
Musical Achievements
Global Chart Success: The KLF were the biggest-selling singles act globally in 1991, with major “stadium house” hits like “What Time Is Love?”, “3 a.m. Eternal”, and “Last Train to Trancentral”. They also had a hit with “Justified & Ancient” featuring Tammy Wynette.Pioneering Genres: They are recognized for pioneering “stadium house” and were influential in developing ambient house with their 1990 album Chill Out.A Number One Novelty Hit: As The Timelords, they had a UK number-one hit with “Doctorin’ the Tardis”.Critically Acclaimed Album: Their 1991 album The White Room reached number three in the UK and was named the 81st best album of all time by NME. Performance Art & Subversion
The Manual: In 1989, they released a book, The Manual (How to Have a Number One the Easy Way), detailing how to create a hit record.The BRIT Awards Performance: Their 1992 BRIT Awards performance involved collaborating with Extreme Noise Terror, firing blanks, and leaving a dead sheep at an after-party.Deletion of Back Catalogue: In a notable act of self-destruction, they retired and deleted their entire music catalogue in 1992.Burning a Million Pounds: As the K Foundation, they burned one million pounds of their earnings in 1994, documenting the event and placing a moratorium on discussing it.Guerrilla Tactics:
They used Situationist-inspired tactics throughout their career, including defacing billboards, posting cryptic advertisements, and referencing the Illuminatus! novels. Legacy and Reappearance
The KLF’s actions have had a significant impact on popular music. In 2017, they reappeared as The Justified Ancients of Mu Mu to launch a novel and a project called “People’s Pyramid”.

Last edited 5 months ago by Ford_Timelord
Ian McClure
Ian McClure
5 months ago
Reply to  Ford_Timelord

Was going to post some of this but you beat me to it. Fun fact: I watched the video for Doctorin’ the Tardis in an actual university classroom as part of an course about modern art, where we spent a good bit of time talking about KLF/K Foundation.

Ford_Timelord
Ford_Timelord
5 months ago
Reply to  Ian McClure

My famiy left England in the mid eighties due to the depressed economy / unemployment / the troubles and Thatchers budget cuts and perhaps terrible pop music) etc. So the context of when the KLFs and Electronic musics subversion in general (“rave culture”) makes their timing perfect.

Hugh Crawford
Member
Hugh Crawford
5 months ago

You call that music be cars ? (never mind that there’s literally a band named “the cars”)

Here is a car playing music for you.
https://youtu.be/XRXwWbo_mX0

A solo act even!

Last edited 5 months ago by Hugh Crawford
Andrea Petersen
Andrea Petersen
5 months ago

The KLF are such delightful goofballs, and even my goth ass gets down with Doctorin’ The Tardis!

CTSVmkeLS6
CTSVmkeLS6
5 months ago

Very… British

Ford_Timelord
Ford_Timelord
5 months ago
Reply to  CTSVmkeLS6

At least half Scottish

Cerberus
Member
Cerberus
5 months ago

As a kid, I should have found Dr Who encouraging in that someone with the same limited (no) budget and building skills as me could construct props for a TV show. I should have been, but I wasn’t. Even the famously bad movies on Creature Double Feature had better quality sets and props and few of them sucked the life out of me to watch. My aunt was living with my grandparents then and used to watch it, which is how I ended up enduring it. It was like the personification of the cliche UK rainy days, pure gray (grey?) monotony, the most boring single note ever played in endless sustain that seemed black and white even though it was in color (colour). I’m sure the tall dude’s wool coat wasn’t even made from shorn sheep, it was the actual skin of a sheep that had offed itself after seeing the show (previous doctor, I presume). It was so depressingly, unceasingly, relentlessly bland that I couldn’t even find it in me to be amused by the toilet plunger weapons and neighborhood Halloween-set fog machine, yet it wasn’t even any good to fall asleep to (not that I’d have fallen asleep around my aunt, she’d have gone through my pockets for loose change). This song being from what appears to be the same era that I saw doesn’t help dispute my recollection, though it’s more lively than anything else I recall in regards to the show. I have to assume it got better.

Flyingstitch
Flyingstitch
5 months ago
Reply to  Cerberus

This may be the most savage stream-of-consciousness takedown I’ve ever seen. I’ve never watched an episode, and now I think I’ll pass should the opportunity arise.

Data
Data
5 months ago
Reply to  Flyingstitch

Classic Doctor Who is more about the stories and the performances than the sets and props. Every now and then though they would do something amazing with a set. I’d recommend sampling episodes from the Tom Baker era (fourth Doctor).

Cerberus
Member
Cerberus
5 months ago
Reply to  Data

I would normally be all for that as I think story and characters should be above everything, but I found it sucked the life out of me too much to notice a story. I focused on the effects because it was the only thing that stood out from what seemed about a half step above watching analog static. I think the one I saw was the third or fourth guy and I only caught random episodes, so that would have hurt any intention I might have had to determine what was going on.

SNL-LOL Jr
Member
SNL-LOL Jr
5 months ago
Reply to  Cerberus

I’m glad I got on only during the Eccleston reboot. Props and effects were a lot better. Although, compared to contemporaneous American productions, the early reboot seasons were still a little amateurish.

After my kids ran out of reboot episodes to watch, they went out of their way to find the pre-reboot episodes.

They were awful.

SNL-LOL Jr
Member
SNL-LOL Jr
5 months ago
Reply to  SNL-LOL Jr

footnote: it’s probably unfair to compare Ecclestone-era Doctor Who to prestige American series such a Battlestar Galactica (the reboot, of course. The original was beyond crap.)

Twobox Designgineer
Twobox Designgineer
5 months ago
Reply to  SNL-LOL Jr

I also watched starting from Eccleston, and up thru Tennant and Matt <whoever>. I thought the Eccleston and Tennant ones were great, the next ones OK, and by Capaldi I had moved on.

Then I watched a few old Baker ones, and one Celery Guy one. Holy cow, there was nothing there for me. At all.

SNL-LOL Jr
Member
SNL-LOL Jr
5 months ago

My boys (early teens) adore Capaldi above all others. With virtuoso performances such as Heaven Sent, I can see why.

I like Whitaker because of Broadchurch. Yeah, the writing really shortchanged her.

Methodjason
Member
Methodjason
5 months ago

And then, after achieving fame as The KLF, they set a million pounds on fire as an art project. Possibly some of the most interesting/unexplainable popular music stars of all time.

MAX FRESH OFF
Member
MAX FRESH OFF
5 months ago
Reply to  Methodjason
Andrea Petersen
Andrea Petersen
5 months ago
Reply to  Methodjason

Damn it, you beat me to it!

Phuzz
Member
Phuzz
5 months ago
Reply to  Methodjason

More context about the KFL, although no one can explain why they burnt a million quid, because even they’re not sure.

Orion Pax
Orion Pax
5 months ago
Reply to  Methodjason

This was a great group with an amazing story. What a fun group. I liked how you could literally hear how their sound morphed from their original songs into what made them hitmakers. Seeing them transport music press to an island to only burn a million bucks, then just leaving at the end of a performance never to be seen or heard from again.
LEGEND!!
Watch that documentary.

Methodjason
Member
Methodjason
5 months ago
Reply to  Methodjason

As a semi-retired 90s rave dj, it tickles me that so many people on a car website are discussing The KLF. Carry on!

Keith Tanner
Keith Tanner
5 months ago

This was popular for our marching band to pump up the crowds at football games at the time.

Jack Trade
Member
Jack Trade
5 months ago
Reply to  Keith Tanner

I recall it being played on FM radio back then even! That’s how I first heard it.

And for younger readers, it’s hard to overstate how niche and underground Doctor Who was in the US back then. Most people who knew of it were clued in by a friend, and for most of us, the way to watch was on PBS in the dead of the night, where they’d show an entire story of episodes back to back, so it’d be like 3 hours long.

Westboundbiker
Member
Westboundbiker
5 months ago
Reply to  Jack Trade

I remember being young and sick, and after falling asleep on the living room couch, waking up at some midnight hour to a show about weird robots, and a guy with a strange scarf. No one in my family had any idea what I was talking about, and was sure it was just a fever dream. It took until well into highschool before I found fellow nerds who knew what it was.

Fordlover1983
Member
Fordlover1983
5 months ago
Reply to  Jack Trade

I remember many a late night manually rotating the antenna to bring in Iowa Public Television across the border into Missouri!

Gubbin
Member
Gubbin
5 months ago
Reply to  Keith Tanner

Call-and-response for the win!

Rob Bannister
Rob Bannister
5 months ago

The single was made as proof the manual worked.
https://en.wikipedia.org/wiki/The_Manual
These days those guys are making a pyramid made of bricks made from peoples ashes in Liverpool.
https://www.thepeoplespyramid.org/the-peoples-pyramid/
Our greatest living artists.

Lux Matic
Lux Matic
5 months ago
Reply to  Rob Bannister

I told me wife a few years ago that’s how I want to be interned, but she said hell no. Bought the coffee mug instead.

Nlpnt
Member
Nlpnt
5 months ago
Reply to  Rob Bannister

The manual? Could be but I’d bet money it’s an automatic. Probably a C6.

Ford_Timelord
Ford_Timelord
5 months ago
Reply to  Rob Bannister

Caulty presented some artwork in Hobart, Tasmania a few years ago. It was an incredible dark diorama inside a shipping container with peep holes.

Matthew ONeill
Member
Matthew ONeill
5 months ago

I have this on vinyl!!

Chewcudda
Chewcudda
5 months ago
Reply to  Matthew ONeill

45 single here.

Keith Tanner
Keith Tanner
5 months ago
Reply to  Chewcudda

CD for me, because that was the hot format at the time. The 12″ remix is 8:17 long.

Last edited 5 months ago by Keith Tanner
Jack Trade
Member
Jack Trade
5 months ago
Reply to  Keith Tanner

I had it on cassingle. Plus more than a few bootleg KLF tunes on regular cassette.

Lux Matic
Lux Matic
5 months ago
Reply to  Matthew ONeill

Me too – CD, 45 and 12″. Was a Justified Ancients of Mu Mu fan when 1987 came out. They are in my top 5 bands of all time – and I like 1000s of bands. I’ve a few pieces of KLF-related art around the house, too. Don’t get me started….

OttosPhotos
OttosPhotos
5 months ago
Reply to  Matthew ONeill

12″, but sadly I couldn’t find it in what’s left of my vinly 🙁

Taargus Taargus
Member
Taargus Taargus
5 months ago

Well that is one, truly awful Gary Glitter remix if I’ve ever heard one.

Rad Barchetta
Member
Rad Barchetta
5 months ago

I don’t think I’ve heard the original at a sporting event since he got caught diddling little kids.

Taargus Taargus
Member
Taargus Taargus
5 months ago
Reply to  Rad Barchetta

Yeah me neither. It’s been effectively replaced by Seven Nation Army anyway.

Fordlover1983
Member
Fordlover1983
5 months ago
Reply to  Rad Barchetta

My kid still plays it in Pep Band. And I always sing along. “Doctor Whooooo, Hey, Doctor Who!”. I get funny looks. They do Seven Nation Army as well. And September is always a favorite! I’m trying to get the band director to work in an arrangement of Crazy Train, so they can chant “Ay-ay-ay”.

Lux Matic
Lux Matic
5 months ago

Be aware that the song was created as proof that their books works: The Manual (How to Have a Number One the Easy Way). Other bands used the manual to create a small set of #1 records as well.

This is what the KLF is about.

Ford_Timelord
Ford_Timelord
5 months ago
Reply to  Lux Matic

I know a couple of Melbourne, Australia bands that have scored hits that swear by The Manual

Hugh Crawford
Member
Hugh Crawford
5 months ago

Yeah, definitely rock and roll part two.

There is actually a part one, but you hardly ever hear it.

I think it was sort of like Little Johnny Jewel by Television where half the song was one side of a 45 and the other half was the flipside.

Taargus Taargus
Member
Taargus Taargus
5 months ago
Reply to  Hugh Crawford

My son has a few stacks of 45s and a record player in his room, and yes! Part 1 is on one side, and part 2 is on the other.

Pendine Sands
Pendine Sands
5 months ago
Reply to  Hugh Crawford

Part 1 had lyrics. Part 2 had no lyrics, but was otherwise the same track.

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