Home » CDs Were Absolute Garbage For Use In A Car And I’m Glad They’re Dead And Gone

CDs Were Absolute Garbage For Use In A Car And I’m Glad They’re Dead And Gone

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I’m someone who has a lot of fondness for old, obsolete media. In my office, I am surrounded by, let’s see, six different old computers that use 5.25″ floppy drives (ranging from 90K to 360K) as their primary storage medium, two that use two different formats of 3.5″ floppies, and between five and seven that use some manner of cassette-based storage. Then there’s all the different cartridge-based consoles, and even one that can also use these funny little cards. There’s an eight-inch floppy hanging on my wall, too, and a big Bullwinkle laserdisc down here. I clearly have some perverse love for old media. And yet, despite all this, I hate compact discs (CDs) and am happy they’re gone.

That’s right, I said it: fuck CDs. Granted, this take is probably at least a decade or maybe even two too late to, you know, matter, but I have been encountering more and more people who profess some nostalgia for those shiny discs, and to those people I just have to say, with all due respect, knock it off. CDs are not worth your nostalgia, because they’re charmless and clumsy and cumbersome, and it’s good we’ve moved on.

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More specifically, I think CDs were especially garbage when it came to using them in cars, one of the best places to listen to music, period. I’m not just saying this from some elevated and removed position of objective assessment, this all comes from someone who was there, dammit, who lived with these things and wanted them to be great, only to be sorely disappointed.

I tried, dammit. I tried to like these things, because when they first hit the scene, it was genuinely exciting. The first commercial CD came out in 1982, and everyone lost their shit. It was being hyped all over the media, where they claimed it was the perfect new medium, completely resistant to dust and scratches, and would make everything else obsolete:

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Much of this is, of course, absolutely true: lasers did read the music off the disc, they were compact, the audio quality was great, but everything about dust and scratch resistance was complete horseshit. CDs were fragile and annoying.

When I got my first CD player, the medium was about 6 or 7 years old; I started with cassettes in my first cars, a ’68 Volkswagen Beetle, soon to be replaced by a ’71 Super Beetle. I finally got a cheap portable CD player for my car maybe around my senior year of high school, and used one of those cassette adapters to connect it to my terrible Sparkomatic speakers I had clumsily installed in my doors.

That’s when I learned how absurdly sensitive CDs were to skipping. A Beetle is hardly the smoothest car in the world, but my cassettes never cared a bit about that. These princesses that were CDs, though, would panic at the slightest jostle, stuttering and restarting, and being unable to get through the first 10 seconds of a song.

Cd Setup 1
Illustration: Jason Torchinsky

Eventually, I came up with a solution like you see above, crudely illustrated from hazy memories. In order to get the damn thing to play any song I had to carefully fold at least two layers of impact-absorbing hoodies or sweatshirts or towels and place that under the CD player, which would then be placed squarely in the center of the passenger seat, so the cushioning and springing of the seat could help the process of coddling His Majesty The Great And Sensitive CD Player just right.

Of course, this was useless if you had a friend with you in the car, and the whole setup required near-constant maintenance and monitoring. But somehow I stuck with it, babying this absurd contraption for hours and hours on road trips, just so I could listen to, say, Hey or Lovecats or Rock Lobster at full volume.

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Now, sure, many cars came with in-dash CD players, ones specifically engineered for the automotive environment, and those did not skip. They were vastly better. But, even with the right equipment, CDs still sucked.

The problem is that the physical form of a CD is simply not well-suited to being played in a car. The disc itself is far too fussy about how it must be handled. Remember holding CDs by their edges, being careful not to get any fingerprints on the bottom, because then it wouldn’t play? That’s ridiculous.

Drop one on your car’s floor? The CD is likely boned. Have any crap on your floormats that could scratch a sensitive CD’s surface? Of course you do, because everything could scratch them. Saying the word “grit” to a CD loudly enough could scratch it.

Compare that to plastic cassette tapes, which could be lost in your car for months, until finally found under a floor mat, partially adhered to the carpet via a combination of mud, grime, and probably some vomit. You could just pick it up, give it a quick perfunctory wipe on your pant leg to get off the biggest chunks, thunk it in the cassette slot on your head unit, and that motherfucker would play.

Not only that, but the packaging that CDs came in were awful, too. “Jewel cases” is what they were called, and they were miserable, miserable things.

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Jewelcase
Photo: Amazon

Remember those? Even outside of a car, in the stable environment of a home on dry, non-seismic ground, they also sucked. If you had a stack of them, their nearly non-existent surface friction meant that every stack of three or more CDs was likely to come crashing down if you just looked at it too intently.

And whenever these cases encountered even the slightest bit of physical trauma, one or both of those little hinge tabs on the cover would break off, making the whole thing an even less stable mess.

Because these cases were such garbage, most people, especially for in-car purposes, would take their CDs out of the cases, then slide all of their CDs into these big binder things:

Cd Binder
Photo: Google Shopping

The binders themselves were a decent solution to the considerable problem of CD storage, but then you were left with big stacks of empty, usually somewhat broken jewel cases, which still usually had all of the album art and liner notes you wanted to save, so they just took up space somewhere, devaluing everything around them.

Yes, CDs let you jump to any track. Great. They could hold a good amount of music. Fine. I would have sacrificed either of those traits for a music medium that was less of a hassle to handle, use, store, maintain, everything. Cassettes were better. Vinyl records have their own kind of novel charm. What do CDs have?

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Fuck-all, that’s what. Well, wait, I take that back: the lightning show they’d give when you put them in a microwave was pretty fun:

Aside from that, CDs were garbage, and I’m so glad not to have to deal with them anymore. For a good 20 years, these things were absolutely everywhere, and it was hell. I know it’s annoying to have to re-buy all your music on new formats, but I was happy to do it when everything went digital.

I get nostalgia for obsolete media. Of course I do. But I cannot give CDs that sort of attention, because they did not and never will deserve it. The current noncorporeal nature of modern music playing in cars, where everything is streamed from the internet or a USB drive or something like that may lack a certain character, but it’s so much better to live with.

So, if you’re young and being lured by the shiny, rainbow-reflecting allure of the CD, perhaps considering starting a semi-ironic collection of your own, hear this: stop. Don’t do it.

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Go further back and collect cassette tapes, or even 8-tracks, which were also garbage but at least they were fun garbage. CDs are not fun. They’re the self-satisfied prima donnas of music media, and I will happily support launching all remaining ones into the sun.

So there.

 

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Simon Harris
Simon Harris
1 day ago

I usually agree with Torch about anything archaic technology related but this take was so bad I had to make an account to comment on this week old post… I still use CDs in the car because they’re so robust. All the memories of scratched CDs not playing right are from when we were young and used to drop them on concrete. Even the ones that just rattle around in my center console play just fine, and are effectively eternal. Leave a tape in a hot car a few times and it’ll never sound the same, or the deck eats it, and that’s coming from an avid cassette collector.

I will concede that they are pretty soulless though. But reliability was unmatched except in that first generation discman lol

Martin Ibert
Martin Ibert
2 days ago

Never had an issue with CDs in a car. It just worked. Yes, jewel case hinges did break off occasionally, but trying to klutz around a bit less and be careful with them solved that issue. And as soon as writable CDs came along, which you used and then sent to the recycling bin, there was a steady stream of replacement cases in case one did break.

Acrimonious Mofo
Acrimonious Mofo
7 days ago

It was an entertaining read, but I think you’re just fundamentally wrong, Torch. Except part about the tabs on jewel cases. Fuck those things.

Chris Campbell
Chris Campbell
7 days ago

I have all my CDs digitized and available on my current tech. What’s the issue again? I never had a skip issue with cds in portable or in dash systems. Did I take care of the discs? Yes. You don’t hand records like that either.
This is old man yells at cloud stuff. CDs weren’t perfect, but they were better than tapes, and they still are better than digital downloads for bands when it come to income.

Sean F
Sean F
8 days ago

I own a lot of CDs, in excess of 200.
I think I have managed to scratch to hell 2ish CDs in my life and never owned one that did not play right in my car’s CD player and rarely had issues with portable CD players made after say 1998. I also DJed and did college radio for 4 years which involved a lot of lugging my CDs from point A to point B to use them, also without issue.

Ryan L
Ryan L
8 days ago

They were the last form of content ownership.

They were higher quality audio for the most part.

They ushered in the digital age and the death of albums as the ability to skip tracks made listening to less popular tracks and b-sides less common.

I used the cd holders that clipped on the flip down sun visor and it seemed fairly decent.

I don’t nostalgically chase them but I do like to listen to the ones I still own in a 25 disc pioneer unit I have in the basement. When I do I like to listen to the whole album.

Liquid Swords is the last album I’ve sat down and listened through beginning to end. I suppose the whole listening to an entire album in the order it was laid out is a bit nostalgic so perhaps I am more prone to that then I want to admit.

Mike B
Mike B
8 days ago

I like the meme about GenX being so angry because they had to replace records with cassettes then replace cassettes with CD’s.

I’m a little young to have bought many records, but I def had to replace my cassette collection. I got a stereo CD boombox for XMAS when I was 16 or so, then got a discman when I was 18. My first vehicle was a 73K10 pickup, a 4×4 with front leaf springs. Trying to listen to a damn discman in that thing was torture, it skipped more than played. I had to buy this fancy suspension mount that helped but it still wasn’t perfect. I often gave up and just listened to the cassettes I still had.

Then there was steering with your knees while trying to remove and replace those cd’s into the damn book, talk about a road hazard. I still have my case logic book full of Cd’s, it lives in my ’00 Firebird that still has the factory CD player.

I absolutely LOVE digital media, Spotify is the best thing ever for a music lover.

The ONLY thing I miss about CD’s is the liner, I used to enjoy taking the liners out to read the lyrics and look at photos of the band.

Dan1101
Dan1101
8 days ago

I never had any problems skipping or scratched CDs, but I just handled them by the edges and didn’t drop them. They were a lot better than cassettes. CDs sounded really good, the main problem I had with them is I already had a lot of cassettes and didn’t want to rebuy them.

Cassettes either had tape hiss or muted highs with Dolby Noise Reduction. And it always seemed like the B-side sounded worse than the A side unless you physically flipped the tape over. By the way, how many albums had a banger of a song on track 8 because track 8 would be the first track of side B?

But I will say that handling media of any kind in a car is a pain, I had a MP3 player in my car by 1995 or so. It was a Dension unit that attached to a computer hard drive. I mounted the hard drive under my seat and had thousands of songs at my fingertips.

Around that time I also waited for the Aiwa CDC-MP3 head unit to come out, went to Best Buy on release day to buy it. The CDC-MP3 would play MP3s off CD-ROM data discs, you could fit 200 songs or so on a 650MB CD-ROM.

I miss album covers but I don’t miss physical media otherwise.

Last edited 8 days ago by Dan1101
Mike Shockley
Mike Shockley
8 days ago

Saying the word “grit” to a CD loudly enough could scratch it.”

It’s hilarious because it’s true!!

If there’s a CD in the room while you’re watching True Grit, it will scratch. Good riddance to CDs.

Seth Albaum
Seth Albaum
8 days ago

Records are the only physical media I will still buy. Cassettes, since my ©1975 self has so many (including embarrassing radio airchecks,) I still hold onto and have a deck in the house for.

CD’s – I had downsized that collection in the early 2k’s and even made .wav files of most because I wanted uncompressed sound and wasn’t yet introduced to flacc. For home, I bought a “Roku,” which back then, was a silver tube that only streamed audio from my hard drive. For the car – I had college radio when it was still good and also my local NPR. I actually listed to less of my own music purchases in the car because of the CD than I did in the tape era.

Now, as much as I hate lossy spotify, I kind of also have to admit it’s the best way to listen in the car right now. My daughter will never know a world where you can’t tell the car to “Play Talking Heads.”

Angry Bob
Angry Bob
8 days ago

In 2000, I built a computer into my ZJ Grand Cherokee. I hacked up a desktop PC case into the smallest possible form factor and built a carpet covered box around it so it looked like a subwoofer next to the spare tire. It ran off an inverter and had a VFD display in the dashboard, replacing the car status display, behind a sheet of smoked plexiglass. It looked like it came from the factory that way, and was controlled by a credit card size remote control. I then had my entire MP3 collection on demand at all times. This was before you could buy anything like this. A journalist found my build thread and wrote an article about it in the New York Times.

That’s how bad CDs sucked.

Drh3b
Drh3b
8 days ago

I never had problems with CDs. Cassettes on the other hand were garbage.

Seth Albaum
Seth Albaum
8 days ago
Reply to  Drh3b

Though I overall preferred the cassettes in the car, they did stretch out in the heat. My copy of REM’s Chronic Town EP was in the car so many years that when I finally heard the digital version, I was like “Wow this is really tight!”

Hugh Crawford
Hugh Crawford
8 days ago

Interestingly, the specifications of the CD were set by Norio Ohga, the opera singer and president of Sony who wanted the disk to hold a 74 minute recording of Beethoven’s ninth symphony, fit in a men’s coat pocket, and the space of a DIN car radio.

Between the wavelength of the laser used which determined the spot size, and the area determined by men’s suit pockets, and the 74 minute length of Beethoven’s ninth symphony, they arrived at 44.1 kHz for the sampling rate.

When I was in a class on developing software for CDs and CD rom back in 1989, I asked “why 44.1 kHz?” and that was the answer I got. Not in a hundred years would I have guessed that.

Anyway, how did Norio Ohga get hired at Sony? He kept writing letters to Sony complaining about their tape recorders.

John Fischer
John Fischer
8 days ago
Reply to  Hugh Crawford

I think it has more to do with needing a sampling rate > 2x the intended frequencies to reproduce. 20,000 Hz is the upper range of human hearing, so they needed to sample at over 40,000 Hz.

According to Da Wikipedia, “The Nyquist–Shannon sampling theorem states that a sampling rate of more than twice the maximum frequency of the signal to be recorded is needed, resulting in a required rate of greater than 40 kHz. The exact sampling rate of 44.1 kHz was inherited from PCM adaptors which was the most affordable way to transfer data from the recording studio to the CD manufacturer at the time the CD specification was being developed”

Hugh Crawford
Hugh Crawford
8 days ago
Reply to  John Fischer

You mean one of these?
https://www.vintagedigital.com.au/sony-pcm-1630-audio-processor/

We had a couple at CalArts, but I think there was a story about them being future compatible with “the next big thing” and the magic 3.579545 MHz may have had something to do with it. They disappeared into the film school because they were relatively potable.

48khz is a lot easier

Thomas Metcalf
Thomas Metcalf
8 days ago
Reply to  Hugh Crawford

Amazing. I love this kind of stuff.

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