Home » The Problem With The VW Beetle In Wes Anderson’s Movie ‘Moonrise Kingdom’

The Problem With The VW Beetle In Wes Anderson’s Movie ‘Moonrise Kingdom’

Cs Moonrise Top

I have a contact over at the National Council on Weights and Measures (NCWM) with whom sometimes I’ll reach out to for insider information on what’s going on in the world of standardization of weights and, where applicable, measures, and in return sometimes I’ll clandestinely help to get certain weights and measures that the Council wants to encourage out into the culture. Remember a few months ago when I was referring to the length of things in fractions of linear hogsheads? That was for them.

I mention this because the NCWM is currently working on a large-scale project to penalize artists and creatives for unintentional anachronisms in their content, and they’re going after some big-name people initially to draw attention to the problem and, I’m told by anonymous sources, in the hopes that they can extract some really substantial fines from these people because their Lincoln, Nebraska headquarters desperately needs a new HVAC system and they’d like to get that sorted out before summer.

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My contact reached out to me to let me know that they were targeting the well-known filmmaker Wes Anderson. The reasoning for this was that Anderson’s movies tend to be meticulously crafted visually, and if there’s any obvious missteps, they’re either intentional or, if not, need to be addressed for the public good. The movie they wanted me to start with was 2012’s Moonrise Kingdom:

It’s a charming movie and visually, as you can see from the trailer, every shot is carefully composed and crafted to match a very specific aesthetic. The movie is also explicitly said to take place in the year 1965 (stated in the movie at 0:05:14) , which also may be why the NCWM was targeting this movie for possible anachronistic violations: by picking a specific year, a filmmaker is sort of sticking a target on their back.

The NCWM said they got a tip that the violation here would be something I’d definitely notice, and they were right. Right there, at about 1:23:50, I saw it:

Cs Moonrise Beetle 1

Dear lord. What atrocities has this man committed? I’m not talking about the crushing of a perfectly good Volkswagen Beetle with a church spire (actually, it could have been a wrecked Beetle already, I don’t know) I’m talking about using an obvious – perhaps even painfully obvious anachronistic Beetle in a movie said to be set in 1965!

Let’s zoom in a bit more on this scene:

Cs Moonrise Beetle 2

I think most of you out there who are even remotely familiar with VW Beetles will see the significant issues here. Just to spell it out for everyone, the problem here is that this Beetle is from 1971 (possibly 1972) and and and it’s not even a standard Beetle – it’s a Super Beetle!

Specifically, it’s the first generation of Super Beetle, known as the 1302; these were Beetles that had McPherson strut front suspension and a trunk about twice as big as the standard, torsion-bar front suspension Beetle trunk. The 1303 Super Beetle had a larger, curved windshield, as you can see here:

I suppose the real point here is that the Super Beetle was introduced in 1971, and did not exist in 1965.

That’s bad enough; the real thing that frosts my flapjacks is that I think the production design team knew that this car was an anachronism and took some shameful steps to attempt to hide their crime. Specifically, steps that I have noted in this callout diagram showing both the tells of a 1971 (again, maybe ’72– I’d need to see the rear decklid to confirm) Super Beetle and the modifications made to hide it:

Cs Moonrise Beetlecallouts

Here’s some attempts to disguise the year of this Super Beetle: earlier, all-chrome bumpers with the tubular overriders have been added, which would have been on a ’65 or earlier US-spec Beetle; full-wheel covers seek to mimic the domed chrome hubcaps of earlier cars, and the chrome trim rings hide the brake-cooling slots that would have first appeared in 1966; the red rear side marker reflector has been removed from the side taillight housing, even though the taillights are a general design that wouldn’t be seen until 1968, and in fact are a larger version that appeared in 1971.

They didn’t even bother to hide the (-shaped air extraction vent behind the rear side window (started in 1971) or hide the large front indicators (from 1970 and up). Oh, and as an aside, there’s no engine in that car, but I can let that slide because hopefully it was repurposed to power some other Beetle.

It’s a sloppy, shameful attempt to cover a crime, and these are the men I believe to be responsible:

On the set of “Moonrise Kingdom”. Art director Gerald Sullivan on left, construction coordinator Dave Rotondo in the middle, production designer Adam Stockhausen on right. Photography by Niko Tavernise, courtesy of Gerald Sullivan.

That picture is especially interesting because it shows the Beetle from a side not seen in the film, and if you look at the taillight, you can see the side marker reflector in place! They only removed it from one side! I can also see it has some aftermarket JC Whitney-style aluminum louvered running boards, but those may have been available in 1965.

I mean, they’re all clearly talented and made an incredibly visually engaging and lovely movie, so I can’t be too mad at them, but you would think that if it was important enough to swap out bumpers and do other sorts of cheats, they could have found a crushed ’65 or earlier Beetle in a junkyard somewhere to use, right?

Anyway, I filed my report with the NCWM. I expect Mr.Anderson will be receiving a terse email soon from NCWM’s AOL account.

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RecoveringGTV6MaratonaOwner
RecoveringGTV6MaratonaOwner
1 month ago

Give ’em hell, Torch!

Vetatur Fumare
Member
Vetatur Fumare
1 month ago

The fact that they knew and actually went through the trouble of trying to make it look like a sixties Bug allows me to forgive them.

Hugh Crawford
Member
Hugh Crawford
1 month ago

So you would rather smash a 1965 than a Super Beetle?

Wes Anderson would be just as likely to show set decorators carrying in a VW shaped cake, his movies aren’t pretty be realistic. I love when they switch to obvious models, or animation for a couple of minutes, then back to live action.

Just wait till you find out what the San Francisco Opera did to a bunch of Mercedes sedans for Carmen. A great production by the way.

Elusive Pedro
Member
Elusive Pedro
1 month ago

Dunno, Torch. I agree with everything you said since I did have a ’71 1302 (flat windscreen, old style steering wheel) and a ’66 sedan. Just letting you know that my ’66 bug had the old-fashioned over-ride bumpers on it.

1978fiatspyderfan
Member
1978fiatspyderfan
1 month ago

Dear Jason I think you are poorly informed. But if you have ever watched the terrific show Eureka you would learn a few things. First the moon landing was faked but we actually got their years before and we had to fake the moon landing to fool the Russians. And during that time the SUPER BEETLE was invented to thwart the East Germans but again needed introduced years later to thwart the Russians.

Griznant
Member
Griznant
1 month ago

I didn’t know where you were going, but as soon as you said it was taking place in 1965 I was like “WTF, that’s a SUPER BEETLE!!!”

Much gnashing of teeth then commenced.

I’m not really a Wes Anderson aficionado, but did see “Asteroid City” two years ago. I thought it was going to be some nostalgic 1950s atomic era thing.

I can’t remember ending a moving with more questions than I did that day. What the hell did I just watch? Still can’t wrap my head around that one.

GirchyGirchy
Member
GirchyGirchy
1 month ago
Reply to  Griznant

I find Wes Anderson films to be hot-and-cold. Fantastic Mr Fox and Grand Budapest Hotel are two of my favorite movies; the rest I’ve found decidedly meh and pointless.

JumboG
JumboG
1 month ago
Reply to  GirchyGirchy

I think the The Life Aquatic and Moonrise Kingdom were my 2 favorites, and FMF was pretty good, too. GBH was a sleeper for me.

GirchyGirchy
Member
GirchyGirchy
1 month ago
Reply to  JumboG

Ha, that reminds me of a conversation with several coworkers and our boss at lunch one day. He was talking about how much he loved Drive, which I found absolutely unwatchable…it was a two-hour long ’80s music video. He thought it was the coolest thing ever, and then asked whether any of us had seen another Ryan Gosling movie, La La Land. I blurted out how much I loved it, and he said, “man that thing stunk!” We laughed our asses off. Movies are polarizing.

Clueless_jalop
Clueless_jalop
1 month ago
Reply to  Griznant

So it’s not just me? I looked at the trailers for The Phoenician Scheme and thought it seemed like an interesting movie, but after seeing “Wes Anderson” in the credits, I just couldn’t bring myself to go. I’m glad I caught Asteroid City on TV, I would’ve been upset if I had paid to see that in theaters.

Jonee Eisen
Member
Jonee Eisen
1 month ago

Is this more or less egregious than the Once Upon a Time In Hollywood Super Beetle atrocity?

Alpscarver
Member
Alpscarver
1 month ago

Thank you for your service

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