I think most of us have had moments where we are thankful that the world doesn’t operate by the rules of musicals. Think of what an ass-pain it would be if every major decision you came to, every emotional moment, every triumph or failure had to be punctuated with a full-throated, heartfelt song that lasted for eight minutes and meant that you and everyone around you had to drop whatever they were doing and join in, singing and dancing in elaborate, choreographed ways!
I assume everyone would have to have already memorized the words and music to the various songs, and evenings are spent in long, sweaty dance practice sessions, leaving you spent and exhausted every night, praying that the next day won’t bring someone realizing that they have a dream or a long lamenting of the unfair circumstances of their life, or something like that.
Plus, once the big numbers are done, there never seems to be any time to just, you know, sit your ass down and breathe heavily and drink some water and rub your sore limbs.
I was thinking about this because this 1959 DeSoto brochure really feels like it’s a bunch of scenes from some musical. I mean, look at this:

This is a hell of a number right here. This is from the song “I Am Your Crossing Guardian,” and featured some elaborate wire work to get the illusion of the hovering schoolgirls, who swung and danced and pirouetted around, seemingly defying gravity as the Crossing Guard belted out his powerful song about duty, honor, and crossing streets.

A quieter number is “Finding Fireflies in the Fireflite,” a duet that takes place in this DeSoto convertible, with a lot of wonderful set design and scenework involving countless projected lights representing the fireflies.
There’s also a huge opening number that sets a lot of the scene for this hypothetical DeSoto-based musical, and it starts with six people and a dog. It sets up the protagonist, Mary Sudsworth, seen there doing her famous “soaphat” bit at the front of the car, while the kids in the back perform this amazing counterpoint song about being crazy kids and fights in the way-back that sets up Mary for her solos.

The soaphat bit kills, by the way with lines like
“It’s a soaphat, not pronounced “so fat” and you better remember that,
because a P and and H don’t always get you an F
so take a breath
and remember that you can’t keep down the soaphat”
Gold, I tell you, it’s gold.
Speaking of gold, check out this golden engine illustration from the brochure:

I’d like to imagine that this is a picture of a “Ginny,” the nickname for the Golden Engine award that’s given to the best automotive-based musical production.

This is another big number, where Mary Sudsworth and Hellman Mayonnaistern sing about how they want to escape their suburban lives and venture off into the unknown in their DeSoto Adventurer. It’s powerful.

Eventually, Mary realizes she doesn’t need anyone’s help, it was only her own fears holding her back, and she conquers them and leaves in the Adventurer. Hellman, while initially despondent, confides to the sentient DeSoto that he’s been talking to throughout the show, that he believes Mary will be happier this way, and he sings a heartfelt song to the car, as they pledge to become partners and fight injustice, wherever it may lurk.
I’m telling you, this is a hell of a show! No wonder it won that Ginny!
Oh, the brochure also has some other little interesting bits. Like this example of how the word “sports” gets used in ways that seem to have nothing to do with sports:

How is a swivel seat a “sports swivel seat?” What’s sporty about swiveling? Outside of a, say, figure skating or gymnastic context? I mean, it’s still a good idea, generally, but I’m not sure about the sports part.

Also, look how shockingly roomy these DeSoto wagons were! Jump seats and a crapton of room! It’s like a truck bed back there!

Look at that: a lawnmower, one of those fertilizer/seed spreader push things, hoses, a wheelbarrow, watering can, boxes, and all that fits in there with the rear seat up? Holy crap.
Someone should sing about that.









I like to think that posts like this one, which aren’t dependent on timeliness, are items Torch can bank for future deadlines by just banging out a few whenever the peyote lasts a little longer than usual.
I love the 1959 DeSoto and the illustrations used in car ads in this era, especially Pontiac.
Top image- She’s kicking him out. Why else would she have that smile on her face while yeeting his briefcase out on the lawn?
These may just be shots from “The Music Man”. Pretty sure that’s Marian the Librarian right there in the sports swivel seat, I can’t think of many things that sound better than a golden V8, and I’m positive one could fit 76 Trombones in the back of a ’59 Desoto.
See the fins on Professor Fishhawk’s ’59 and Ernie’s ’57 DeSotos.
My mind went immediately to fighting chairs for sport fishing. Perfect for a little angling out the door of your land yacht.
“I Am Your Crossing Guardian,” better watch that tailfin pulling a Waymo.
I do love how the unbelted rear-facing third row seat is billed as a “safety feature” because it keeps kids away from doors.
Wait until Jason hears that Schmigadoon! Existed.
You see, it’s full of references from other musicals including ones not yet written. Mary starts belting out the opening of Crazy Ex-Girlfriend but doesn’t get far…
Mary: West Covina! California!
Hellman: I am NOT moving out there! I don’t want to change my name to Best Foodstern!
Hey! You remembered Mary Sudsworth and Hellman Mayonnaistern, but you forgot the scene-stealing cameo from Herbsann Spices Sanders. “Too Chicken to Drive This Thing” absolutely kills!
Drive DeSoto like the wind that rushes down the plain!
My personal hell would being IN a musical. I freaking hate musicals. Even if it was about cars I would be in hell.
The perfect combination would be a Stellantis musical with Carlos Tavares (pictured above) in hell.
I know the perfect actor to play him!
Yes but who would you cast as Carlos Ghosn?
I love that it’s art.
Not a photo.
So they can take such artistic licenses so as to streeeeetch the length of the car in the perspectives. I know the cars are already land yachts, but it looks like they had some fun to make those fins longer, taller, and the whole back end of the car extend out so much more that reality would have.
They really weren’t using that much artistic licence. The last DeSotos were wild.
I’m DRAAAAA-ggin’ a waaaaa-gon!
There’s JUUUUUUnk in my trunk!!
Check OUUUUT my DeSoto!
WEEEEEE are bringin’ the fuuuuuunk!
Why are their arms all so long and out of proportion? That girl’s wrist is clearly boneless. These are Lovecraftian horrors disguised as pastoral Americana musicals.