I think most of us have had moments where we are thankful that the world doesn’t operate by the rules of musicals. Think of what an ass-pain it would be if every major decision you came to, every emotional moment, every triumph or failure had to be punctuated with a full-throated, heartfelt song that lasted for eight minutes and meant that you and everyone around you had to drop whatever they were doing and join in, singing and dancing in elaborate, choreographed ways!
I assume everyone would have to have already memorized the words and music to the various songs, and evenings are spent in long, sweaty dance practice sessions, leaving you spent and exhausted every night, praying that the next day won’t bring someone realizing that they have a dream or a long lamenting of the unfair circumstances of their life, or something like that.
Plus, once the big numbers are done, there never seems to be any time to just, you know, sit your ass down and breathe heavily and drink some water and rub your sore limbs.
I was thinking about this because this 1959 DeSoto brochure really feels like it’s a bunch of scenes from some musical. I mean, look at this:

This is a hell of a number right here. This is from the song “I Am Your Crossing Guardian,” and featured some elaborate wire work to get the illusion of the hovering schoolgirls, who swung and danced and pirouetted around, seemingly defying gravity as the Crossing Guard belted out his powerful song about duty, honor, and crossing streets.

A quieter number is “Finding Fireflies in the Fireflite,” a duet that takes place in this DeSoto convertible, with a lot of wonderful set design and scenework involving countless projected lights representing the fireflies.
There’s also a huge opening number that sets a lot of the scene for this hypothetical DeSoto-based musical, and it starts with six people and a dog. It sets up the protagonist, Mary Sudsworth, seen there doing her famous “soaphat” bit at the front of the car, while the kids in the back perform this amazing counterpoint song about being crazy kids and fights in the way-back that sets up Mary for her solos.

The soaphat bit kills, by the way with lines like
“It’s a soaphat, not pronounced “so fat” and you better remember that,
because a P and and H don’t always get you an F
so take a breath
and remember that you can’t keep down the soaphat”
Gold, I tell you, it’s gold.
Speaking of gold, check out this golden engine illustration from the brochure:

I’d like to imagine that this is a picture of a “Ginny,” the nickname for the Golden Engine award that’s given to the best automotive-based musical production.

This is another big number, where Mary Sudsworth and Hellman Mayonnaistern sing about how they want to escape their suburban lives and venture off into the unknown in their DeSoto Adventurer. It’s powerful.

Eventually, Mary realizes she doesn’t need anyone’s help, it was only her own fears holding her back, and she conquers them and leaves in the Adventurer. Hellman, while initially despondent, confides to the sentient DeSoto that he’s been talking to throughout the show, that he believes Mary will be happier this way, and he sings a heartfelt song to the car, as they pledge to become partners and fight injustice, wherever it may lurk.
I’m telling you, this is a hell of a show! No wonder it won that Ginny!
Oh, the brochure also has some other little interesting bits. Like this example of how the word “sports” gets used in ways that seem to have nothing to do with sports:

How is a swivel seat a “sports swivel seat?” What’s sporty about swiveling? Outside of a, say, figure skating or gymnastic context? I mean, it’s still a good idea, generally, but I’m not sure about the sports part.

Also, look how shockingly roomy these DeSoto wagons were! Jump seats and a crapton of room! It’s like a truck bed back there!

Look at that: a lawnmower, one of those fertilizer/seed spreader push things, hoses, a wheelbarrow, watering can, boxes, and all that fits in there with the rear seat up? Holy crap.
Someone should sing about that.









Wow, you could tell DeSoto was on it’s way out as a Chrysler Corp brand, naming the cheapest wagon variant ‘The Shopper’ just boggles the mind, was this the name for the 50’s DeSoto base wagon model?
Those DeSoto wagons are just the shit. Actually DeSotos are the shit. I want the Explorer.
Um, yeah. My wife and I decided from day one that life would be a string of musicals. At least four times a day we break out into something from Gilbert & Sullivan, Oklahoma, any Elvis movie. And on the rare occasion we need to fight someone we go full Footloose on our victims.
What a coincidence I heard a new Elvis song on the radio today, or at least one I never heard.
Anyone familiar with “There are no pictures of Fat Elvis in Graceland”?
Here ya go!
Dead, I am the life
Dig into the skin
Knuckle crack the bone
21 to win
Dead, I am the dog
Hound of hell you cry
(Hellman Mayonnaistern)
Devil on your back
I can never die
Dig through the ditches and burn through the witches
(Mary Sudsworth)
I slam in the back of my Desoto
Dig through the ditches and burn through the witches
I slam in the back of my Desoto
I don’t remember The Munsters driving a DeSoto, rather Grandpa drove a Dragula… But this is awesome, so, I vote to allow it.
Heh – it’s now a DeSoapo
Writing this article, your brain must’ve burned more calories than my whole body does in a day. Really a magnum opus.
The man in the picture just below the golden engine appears to be inventing the Dab.
Ode to the De Soto Fireflite 4-Door Explorer Station Wagon
Papa said, “Let’s go, head out to the street!
Fold down the third row, slide in the bench seat.”
Kids tossed in the back, three up front (with no belts),
A living room on wheels is how this beast felt.
Giant tail fins and acres of chrome,
Ten gallons of gas, and you’ve barely left home.
“You crack me up, little buddy”.
When I hear “DeSoto” all I can think about is Sam and Max. Actually, a few of the comics had some neat cars in them (I seem to remember a Tucker and a Nash Metropolitan?).
I dunno – That crossing guard lad looks suspiciously like a member of the “ANP”….
…something about the salute maybe?
Let’s just hope Liesl stays away from him.
Never change, Torch!