We’ve had pretty realistic and convincing computer-generated imagery fed to us pretty regularly for about 25 years or more, and while that has been a huge boon to filmmaking in general, I think it’s also killed a bit of our sense of wonder about what we see happening on the innumerable screens around us. And AI is just making that worse.
What I mean is that when we see something on a screen that violates every law of physics but still somehow looks incredibly realistic, we all pretty much know how it was done: some skilled people in front of computers did it, possibly without even having to wear real pants. The end result is great, and you can easily lose yourself in whatever narrative the imagery is in service of, but there’s none of that “how did they do that?” kind of wonder. Or wonderment.
And there used to be plenty of cause for wonder! Because when you saw something (non-animated) on a screen that spat in the face of physics and natural law, you knew it happened because a lot of careful, hardworking people spent a lot of time, money, and possibly put themselves in danger doing something that was objectively absurd. Like connecting a bunch of car parts to wires and flinging them through the air, and then exploding a whole damn car.
Just watch that video up there (or click here) to see what I mean. It starts with Commander Adama there, dressed like a cowboy for likely kink-related reasons, as he describes the incredibly elaborate and involved process needed to make a commercial for the new ’66 Chevy Impala.
The process is complicated because the premise of the ad involves having an Impala self-assemble from parts that are, strangely, strewn all around a fairly barren-seeming landscape, including the whole front clip that emerges from the ocean. The parts all converge, after flying through the air, in Fort Macon, Georgia, where they combine to form a full Impala.
I like how some of the parts are situated prior to their being called to assemble, like this scrubby tree full of wheels:

That’s from the making-of part of the video, so you can see the cinematographer there, and the director, shouting about motivations to the tree and wheels. It looks like a set for a Samuel Beckett play, kinda.

Getting those wheels to fly off the tree is no joke, involving a massive crane and the wheels mounted to surprisingly invisible wires.

The emergence of the front clip from the sea is especially impressive, I think, and has a somewhat sinister tone to it, like a kraken or some kind of Lovecraftian horror emerging from the deep. [Ed note: Or the Seaview – Pete] But no worries, it’s just some Chevy parts, that, considering where they emerged from, will probably rust away before they can cause any trouble.
Also, what’s on that guy’s helmet? Does it say “MEAN BENNY?” Why so mean, Benny?

I also really like these well-labeled boxes of explosives used for the final scene, which is run backwards to give the illusion of a car imploding itself together. Should this guy just have that box on his lap?

I don’t really get the point of the reversed-explosion part, considering they made this whole elaborate scaffolding rig to assemble the flying car pieces together. Wasn’t that the culmination of the commercial, with the finished Impala? What’s the point of all the explosion-blasted parts coming together again to make a complete Impala?
It feels like they had two ideas for the commercial – one with the wires and scaffolds and careful guidance way of assembling the car from flying parts, and the other where they just explode the car into hell and play the footage backwards. These two camps, the careful camp and the reckless camp, couldn’t come to an agreement, so they just did both.
I mean, I suppose that’s possible? GM was a juggernaut at the time, they could afford to blow up an extra car just for the hell of it, right?
Anyway, it took eight days and 26 people to make this thing happen. I wonder if this is the thing that convinced someone to buy a new Impala? Maybe they saw the ad and thought, damn, I deserve a car that makes itself by calling parts out of the ocean and off rocks and pulls fresh wheels and tires from where they grow on trees! That’s the car for me!
I hope so.






“These two camps, the careful camp and the reckless camp, couldn’t come to an agreement, so they just did both.”
Oh wow, that is absolutely what they did.
Wow, Pete! I haven’t thought of the Seaview in about 50 years. Thanks for dusting off those brain cells!
Isuzu Gemini peak Bubble Era no-CG car commercials:
https://youtu.be/QaP0ZMWBFY0?si=HI9vYs9a_Yd62h9R
The 1966 Chevy Imploder. What, do you think tires grow on trees?
Not to be outdone, Ford sold a lot of Exploders.
Looked like a box of Kentucky fried Explosives
Ha! It’s all about the 11 herbs and spices.
All those parts flying around, more like a Chevy Impaler, amirite?
Other ads that come to mind are the Honda one that’s a big Rube Goldberg contraption of parts, another Honda one where the car is on the wall like art until someone drives off with it… and the MG that’s dropped from an airplane, comes down with a parachute, and is driven off.
https://youtu.be/YWk9N92-wvg?is=9TK3V4NkKXqqSdJu
This Goldberg commercial was, and continues to be, so fantastic. Thanks for the reminder.
https://youtu.be/fIF9ys-hJn0?is=oD5YnjwbVHpcJf7l
Fun facts about the MG commercial
1) on the first attempt the parachute rigging got tangled up so the car landed upside down, with predictable results.
2) on the final version, a buckle or bolt from the parachute straps bounced up and punctured the oil pan. The car was filled back up with oil fir filming, and you can see a line of oil in the dirt.
I was an Army parachute rigger in the ’90s and we used a lot of honeycomb cardboard under a vehicle to prevent things like #2 from happening. It also served as a crushable absorber for when the suspension bounced on landing and was easy to get out of the way so you could drive off ASAP.
If you want to see some really impressive parachute action, look up videos on LAPES drops. These have to be terrifying for the pilot and crew but are SO COOL to see in person!
No, this is all wrong. Just factually incorrect. It starts with Ben Cartwright, who you may know from when he dressed as Commander Adama for kink-related reasons. He was a cowboy who was in a space-porno, not the other way around.
What I’m wondering is who the hell comes up with a concept like this and then sells it to GM management? It’s cool in something of a Dali-esque manner and I like it, but it’s a bit out there.
And nice Voyage to the Bottom of the Sea reference!
Yeah. The Seaview reference dusted off some brain cells left unstimulated for decades.
The photo of Dali I think you’re referring to was one of many of him by Magnum photographer Philippe Halsman. Halsman was an artist in his own right.
Salvador Dalí and Philippe Halsman: 37 Years of Collaboration | DailyArt Magazine
There’s a disturbing extra pair of feet in the middle of Voluptas Mora.
Lol. I figured out where the extra feet came from on a better monitor.
“Should this guy just have that box on his lap?”
I don’t think it matters how he holds the box of explosives. If it blows up, they’ll probably have to scrape bits of him off of the ground, the set, the tree, etc.
If they are Acme explosives he will somehow survive, and walk away blackened and with a rising wisp of smoke.
You’re right about that. Was Acme selling defective products, or was the coyote just immortal?
Coyote
wasis a Highlander.That explains a lot.
Which given their activities, implicates Roadrunner.
And now suing Acme. There’s a movie…
The Ponderosa was misnamed. I don’t believe they ever did any thinking there.
Also, Lorne isn’t green.
LOL. But he is Canadian so I’m gonna have to tax you for that mention.
Never!! As the song lyrics go:
Oh I hate Mean Benny. He uses his powers to reassemble things. Just be glad it was a car that day, sometimes he goes all Pet Cemetery / Night of the Living Dead on ya.
OK, now I have the video for Fatboy Slim’s “Ganster Trippin” going though my head.
https://www.youtube.com/watch?v=lsy011GBh0Q
I’ve watched enough MythBusters to know that explosives, especially those used on a movie set are made to be inert until they need to explode. Even with complete mishandling, like smashing it with a boot while on fire won’t cause most non TNT based explosives to go off, unless that was the designated way for them to detonate. These likely require a blasting cap to cause the detonation, so sitting on someone’s lap in a box is no less safe than having a jug of gasoline in your lap. Probably less stinky too.
Unless it’s already ematched and someone is playing with their linear powered radio next door.
This^ guy knows how to party!
TBF, if they showed people how the Impala was actually assembled, it probably would not have been all that good for sales. Especially if they filmed on a Friday.
My favourite pre-CGI car commercial was the Audi Quattro on the ski ramp.
For a good CGI vs practical effects comparison I use “The Road Warrior” and “Fury Road“. In the former all stunts were done at full speed by living, breathing human beings, and in the latter mostly basement dwelling slobs with ‘software engineering’ degrees.
Basically all of the stunts in Fury Road were performed by real people with real vehicles (as numerous behind the scenes videos attest), but CGI was used to paint backgrounds into practically every scene.
(eg: before, after)
George Miller is one of the few directors who always insist on real stunts.
I’m restricted from those links, but color me schooled. I had always heard the Fury Road stunts (not all of them) were generated.
Whoever’s lies have deprived you of Fury Road for over a decade needs to have their friend card revoked.
Fury Road is possibly the greatest car-movie ever made, (or at least in the conversation,) in no small part because all the insane cars in it were real, and really driven (and, in some cases, really crashed.)
Man, I wish I could re-experience what it was like seeing it for the first time. Shame it doesn’t seem to be streaming anywhere right now, but whenever you get the chance to see it, give it a shot.
Can concur – met a guy who worked on it in Namibia. Good to know the Interceptor destroyed was actually a 4-door too.
Most effects artists work in offices, so this is not only factually incorrect, it’s also mean spirited and incorrect. No need to insult people who do work you don’t appreciate, also; effects artists aren’t engineers. They don’t make the software; they use it.
You’re right. That was unnecessarily cruel and flip.
Retracted.
So much to unpack here.
Commander Adama is dressed that way because he also was in a TV show called Bonanza, which is where this commercial was apparently aired. What he did in his own time, I don’t know. I’m not judging.
I had to Google Fort Macon. It’s in North Carolina, not Georgia. You should know that, Torch! This confused the crap out of me for a minute. See, I work near Robins Air Force Base in Warner Robins, GA, which is close to Macon, GA, but I never heard of Fort Macon. That’s why I never saw it. And Macon rhymes with bacon, by the way. Mmmm, bacon.
This video also showed up in my Youtube feed. Spooky.
I swear he put that Commander Adama line in there just to “drive engagement” by getting his fellow Gen-Xers to howl about Ben Cartwright. Who needs accurately written articles when sloppily written ones generate so many comments?
Praise Bob!
I took it to an intentional substitution of the wrong character in a playfully comedic manner, not slop writing. Also as a callback, to another article that does reference Commander Adama within the past day IIRC.
Wait, Commander Adama was on a TV show? How did he find time? I thought he was busy reunning the fleet and fighting Cylons.
You must be fun at parties.
Parties? What are those?
Is this a repost? I just read an article about this commercial and watched these videos somewhere fairly recently. I can’t remember if it was here or somewhere else.
CGI is a pox on the movie industry. It actually feels like it is moving backwards where things look less real now. You watch an old movie and the physical sets have a texture and feel to them that’s lost on green screen and Volume sets.
Modern movies just feel sterile. I don’t know how many more superhero movies I can take where skyscrapers topple over. Oh look, it’s toppling skyscrapers again; yawn.
Mini rant over. I’ve got clouds to yell at.
Yeah, I watched the remaster of Lawrence of Arabia recently just to enjoy real cinematography. The depth of field, the match blowing out into the desert scene. Marvel movies just look like video games to me.
It’s another example of enshittification. There was a golden era of CG where a big movie would look really good, even with large amounts of CG. But over the past 5 or 10 years it’s actually gotten worse as the studios start to pinch pennies. There are older Marvel movies that look better than the stuff they’re releasing now.
Many year ago I was at a party and spent some time talking with a chap who was involved in helping shoot a classic tv car commercial. If memory serves, it was for SHELL gasoline, and the ad concluded with a car flying though a large billboard. If you’re old enough you might remember it.
The billboard was a large prop built to be driven through…
The car wasn’t.
They needed a car that could go up the (hidden) ramp and blast through the paper and balsa-wood billboard over repeated takes.
They found just what they needed. A rental! They just rented a sedan for a day, abused it beyond description, returned it the next day saying it seemed to rattle a bit and pulled to the left. No mention of using it as a stunt car.
That’s the sort of story you remember hearing, and another good reason not to buy a rental. I know I’ve driven every rental I’ve ever had like I stole it, because, well, rental!
I aquaplaned and spun a rental Ford Escort near Orlando in a downpour. I didn’t hit anything but boy did the inside stink of excrement when I returned it the next day.
Not sure if this is a good thing or not, but Jason and I must have similar taste because this popped up on my YouTube over the holiday weekend too. We’re apparently infected by the same algorithm.
You are blessed!
The steering wheel spinning itself up to takeoff speed, and then flying through the air like a UFO, was perfection. Someone thought waaaay too hard about that.
Wait a minute, didn’t you do this previously? I feel like I’m having a stroke cause I’ve seen this article before.
Is that like deja vu all over again?
Yogi Berra Sept 1951
If you are, I am too. Is there such a thing as Mass Memory Loss?
WAITJUSTADILLPICKLEDMINUTE!
Does The Autopian have a memory erasing flashy pen?
Did we all get got? Are we even in the same timeline?
4, 8, 15, 16, 23, 42.
I need coffee.