If you’ve been reading my ramblings about cars for a while, you know there are a number of concepts that I keep returning to when it comes to what I value in a car. Many of those things are ridiculous, I know that. But I think some actually make sense, a humble sort of rational sense that belies my usual nature, which is that of an idiot. But I do firmly believe that there are certain traits that mainstream, everyday cars should have that benefit everybody: traits like affordability, utility, and maybe the biggest one, forgiveness. Volkswagen had a concept car way back in 1982 that I think embodied these simple but elusive traits, and it’s all but forgotten today.
The car was called, tellingly, the Student. It was only VW’s second attempt to make a city car that slotted in below the Golf; well, I guess second time after the Great Liquid-Cooled FWD Switchover, or the Autounification of Volkswagen. The first (successful) try was the VW Polo in the 1970s, though long before that, back in the air-cooled era, VW also toyed with the idea of a small city car to slot in below the Beetle, if you can imagine that. We’ve written about that car– the EA48 – before, and like the Student, that car never went beyond the prototype stage.
The Student was a genuinely interesting and clever attempt to make a truly entry-level car, and while I think it has some influence on later Volkswagens, I’m not sure we have anything that really accomplishes what this could have on the market today.

I mention VW’s interest in entry-level city cars just to note that VW understands the Golf isn’t the lowest rung on the ladder, and there’s still a good market below it, which VW has filled with cars like the aforementioned Polo, the Lupo, and the Up!. In fact, the old Student concept reminds me a bit of the Up!, especially from the rear.
I haven’t heard much mentioned of if the Student concept was a direct influence on any of the Up!’s styling, but I think you can definitely see it, especially from the rear:

A lot of it is just clever small, inexpensive car design, like having a window act as a hatch. You need to have the rear window anyway, so why not just let that be the hatch itself? Save the hassle of designing a hatch to enclose the window and save the stamping costs and metal and whatever. The sizes and proportions are quite close, too (as they are with the VW Lupo of 1998 as well), but I think. that’s just convergent evolution at work, since both cars have the same fundamental goals.
I think there was one other place where the Student’s design influenced later Volkswagens, and this one we can’t attribute to converging designs for similar goals, because this time the influence was on a car in the upper part of VW’s lineup: the Passat.

The B3 Passat’s dramatically smooth, grille-free front fascia looks a hell of a lot like the face of the Student, down to the shape of the light units and everything. I think it’s pretty likely that the Student was a direct influence on this era of Passat because the same person, Herbert Schäfer, designed both cars. It’s a nice looking, clean design!
There is, however, one big difference in how that design is realized in the Student compared to the Passat, though, and that difference directly ties into one of those big concepts I was talking about: forgiveness. The Student’s face and fenders are all made of plastic, plastic that (I believe) has its color pigmented into it, not painted. This front mask – and its matching equivalent at the rear – is designed to be forgiving of bumps and scrapes and all of the effects of occasionally sloppy driving, on your part or some other idiot’s. I love when a car accepts our fallibility, and is designed to deal well with whatever fate hands it, unlike so many modern cars that have fragile painted bumpers with skins that cost thousands of dollars to replace, studded with cameras and ultrasonic sensors and wildly expensive lighting units that turn a small bump into a five-figure repair bill. Who needs that?
Schäfer must have agreed with me on some level, because look at the big black plastic bumpers on that Passat, and how they wrap all the way around the car! That’s what I’m talking about.

The Student seems like it could have taken a pretty good beating at both ends there.
The other quality that the Student had that feels missing today is a pretty basic one: it was designed to be cheap. In America especially, it’s very hard to find a genuinely affordable new car, because carmakers don’t seem interested in serving that lower-return part of the market. And that drives me clamshit. The student used the Polo’s 1.1-liter inline-four making about 50 hp, which is plenty for this kind of car.
It also has those great minimalistic door handles that I love! Just a cut-out from the door skin! So good.
This was designed to be a car a student could afford, as the name suggests, and like the original Beetle that started the company, this concept doesn’t feel like it’s trying to punish you for the crime of being un-rich. It has some charm and character, even while being a bargain.

The interior layout is simple and clever, too. There’s plenty of recognizable early-80s VW parts-bin stuff, but the layout is novel, with that tall, narrow, vertically-oriented center stack area. Could you have put a radio in there? Maybe you’d have to sacrifice that passenger-side shelf area. Feels like a reasonable trade-off, though.

The Student is definitely one of the lesser-known and appreciated of the VW concept cars. This is a shame, because it’s a good reminder of what VW once did very well – making affordable cars that still retained some character and charm, and be things that one might actually choose to drive instead of being a car that you, you know, had to drive.
Oh well. Maybe one day VW will get back to their roots with cars like this one.









Never knew! There is a lot to like in that small package with excellent sight lines! I’m dismayed that the entire industry has abandoned this ethos, and instead only offer dealer locked in maintenance by way of proprietary software defined vehicles that I will shun till death.
Alas, only if VW had carried that project to fruition, especially since the timing would’ve been pretty good as seen with the more than modest popularity of contemporary (& slightly later) models such as the Toyota Tercel and…the Yugo. Mighty fascinating. Sometimes a little heart-wrenching to read about what could’ve been…
The name, the Student, is perhaps a bit cringey, as it kinda brings to mind the Steve Buscemi “How do you do, fellow kids” meme. However, it could’ve been fun for students (heh) of early German cinema to get two matching Students with personalized plates, one saying OF PRAGUE and one saying EUGARP FO.
(In case anyone’s wondering, one of Germany’s earliest art horror films was The Student of Prague made in 1913 starringPaul Wegener who would go on to direct and star in the 1920 art horror film The Golem: How He Came into the World ; the plot involves a student who makes a deal with the devil which results in his reflection being stolen and brought to life as an evil doppelgänger.)
Carrying the theme further, the doppelgänger Student could be painted black à la the 1997 TV film The Love Bug which starred Bruce Campbell (!!) and John Hannah (also !!) and involved a rivalry between Herbie the Love Bug and its painted-black counterpart Horace the Hate Bug.
Yeah, a two-fer (heh) for cinephiles with The Student of Prague and The Love Bug…
Buell motorcycles did the molded in color panels thing for a bit. Always thought it made a ton of sense for a machine that’s even more prone to get scratched up (e.g. one that can’t stand on its own) than a car.
While I generally prefer metal over plastic due to the issue of microplastics I’d take molded in color plastic body panels over steel body panels on any regular automobile.
That being said aluminum body panels are also an option and with the right silver paint the bare aluminum underneath would match, so if severely scratched and or chipped you’d hardly be able to tell at a glance.
I LOVE this little guy. Sold.
The thing that’s been missing from a lot of recent cheap cars is giving them enough charm, character, and style to make owners fall in love with them despite their spartan features, too many modern (late 20th/early 21st century) cheap cars seem like they’re intentionally designed to constantly remind people that they could have had the next more expensive model on the ladder for a few thousand more. This project seems like it was more in the mold of the Renault 5, classic Mini, or classic Beetle, the sort of affordable car that people might have genuinely enjoyed owning instead of feeling like they had been sentenced to own it by circumstances beyond their control
100% this.
That’s one thing the Mirage did well for a while.
I almost bought one back when they were still sold with manuals, sadly you could not get snow tires for it so I skipped it.
I’ve heard that the Kia Soul had that effect as well. I’ve never spent any time with one but I could see that.
It’s funny how most of the cars on this list are European or Asian, though Ford did produce some game offerings like the Fiesta (esp if you live in the UK); GM and Chrsysler on the other hand were mostly nothin’ but penalty box for ya you cheap bastard cars.
Long-term first generation Soul owner here. It absolutely had charm and personality. Mine was the “loaded” version, but even the base models didn’t feel like something you were stuck with. I still miss it a bit.